'To Whom It May Concern' is an emerging writers night produced and directed by Salt Circle Productions. The one-hour show consists of monologues around different themes. Tonight’s theme is 'Haunted' and will be performed by brilliant London based actors.
This is an evening of letters that were never sent. A night of connection, revolution and power as we hear the voices of 'us', the general public that is often overlooked.
Writers/ Performers:
Emily Bradley
Writers:
Chentao Shen
Artemis Adamantopoulou
Anayis N. Der Hakopian
Robert Csoma
Oli Fuller
Performers:
Shenshen Wu
Ro Winchester
Zac Rosen
JJ Lam
Directed by:
Cece Walker, Haonan Wang, Jessica McKenna, Angela Law Cherry Walker and Miona Drcelic
Read about our previous 'TWIMC' here
Meet us after the show in the bar and meet up with fellow creatives.
TO WHOM IT MAY CONCERN
26th of October, 8:30pm at The Glitch Theatre
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CAST AND CREW
Emily Bradley
Writer and performer of 'Purgatory'
Emily is a writer, performer, and trainee counsellor. She studied theatre and performance at Goldsmiths University and then began working for Face Front Theatre in North London as an Actor and Mentor. Now studying to become a counsellor, she is particularly interested in using drama and creative expression to explore the complexity’s of mental health issues.
This unique blend of creativity and compassion drives her passion for integrating the arts into therapeutic practices, fostering deeper understanding and connection within her work
THE WRITERS/ PERFORMERS
THE WRITERS
Chentao Shen
Writer of 'Haunted Property'
Chentao Shen (he/him), 25, is an independent writer, educator, and occult enthusiast, aspiring to become a folklorist. A graduate of the University of Leeds with a master degree in Writing for Performance and Digital Media. He is passionate about myths and urban legends, and dedicated to exploring the humanistic meanings behind these narratives.
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Robert Csoma
Writer of 'Crawl'
Robert is an amateur playwright living in Budapest, Hungary. He has written two full-length plays and several short plays. In April 2025, he won first (and only 😁 ) prize in an American theater’s monthly playwriting competition. He was also a finalist in a 10-minute playwriting contest in New York (the final decision on the plays to be staged has not yet been made). Some of his short plays have been published, and others will be published in drama anthologies in Fall 2025. He primarily writes comedies. (But what you’re about to see will be a little different.…And no, that’s not blood in the background of the photo.)
Anayis H. Der Hakopian
Writer of ‘The Gate of the Night-Mare'
Anayis is a Visual Storyteller, Creative Producer and Researcher, crafting a variety of peculiar moving worlds and folkish words within animation, mythopoetics and the performing arts, playing with verse and metaphors to dig into human and more-than-human voices. She has trained as a young producer and theatremaker with Almeida Theatre, The National Theatre (NT), National Youth Theatre (NYT), Lyric Hammersmith, Shubbak Festival, Hackney Empire, Harrow Arts Centre (HAC) and Questors Theatre. Anayis’ previous playwriting and directing credits include ‘A Feast of Tender Hearts’, ‘x A Sprite For Spoilage x’, and ‘Wired in Circus Stripes’ conjuring flavours of gothic hearts to setting dystopian speculations with robotic dreams, questioning our positions and (lack of) connections with each other.
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Artemis Adamantopoulou
Writer and is Assistant Director of ‘Eyelash'
Artemis is a London-based writer and filmmaker. Some of her short stories have been published, and her debut narrative short film received first-time filmmaker awards During its festival circuit. She holds a BA in Comparative Literature with Film.
Oli Fuller
Writer of 'She Uses They/Them Pronouns''
Oli Fuller (he/they) is an Award Winning Queer Theatre Maker. Their credits include Bea P Deigh (The Glitch, The Space Triplex Studio, 2025), 12 (New Wimbledon Theatre Studio, 2025), Séayoncé's Perky Nativititties (The Yard Theatre, 2024), All The Fraudulent Horse Girls (National Theatre, Seven Dials Playhouse, Pleasance Ace Dome, 2024, The Glory, 2022-2023), F-ckboy (Old Red Lion Theatre, Riverside Studios, Paradise in Augustines - The Snug, 2024), Rain Weaver (Cockpit Theatre, 2024), Hasting Trans Pride (Observer Building, 2024), eNBy City - A Night for Queer Joy (Theatre Deli, 2022-2023), and Remote (The Southwark Playhouse, 2022). He also works as an independent artist and as a reviewer for Binge Fringe. Oli is delighted to finally be doing more than tech for TWIMC!
Along with those performing their own written pieces, we welcome the following performers:
Shanshan Wu
Performer of 'Haunted Property'
Shanshan Wu is a triple-threat actor from in Beijing, having lived and worked in Shanghai and Paris. She recently graduated from the MA Musical Theatre course at LAMDA. She has previously trained in GFCA Paris and Conservatoire Lili et Nadia Boulanger in Paris, where she also gained experience working on screen and on stage.
Ro Winchester
Performer of 'She Uses They/Them Pronouns''
Ro is a non-binary actor who is finding their way into creative spaces since graduating in 2023. Alongside acting, Ro also expresses their creativity as an Intimacy Coordinator and Director. Usually you'll find them working Front of House in London's West End, putting their 3 year degree to use on streams of bad jokes and silly questions. Ro is excited to be part of this night and, working with an all Trans team on a piece that shares a part of this community at its heart.
(And No, Ro is not short of Rose, Robin, Rotisserie chicken or Ronaldo)
Abi Studley
Performer of 'The Gate of The Night-Mare'
Abi Studley (she/they) is an Indian British, LGBTQ+, disabled, and neurodivergent actor based in London. They believe representation should go beyond ticking boxes, simply reflecting real people and the real world we live in.
JJ Lam
Performer of 'Eyelash'
JJ is a proudly neurodivergent actor and singer. After a brief career in finance (which was the true horror), they retrained in Musical Theatre at the Royal Welsh College of Music and Drama. JJ is currently a Serena Fenwick artist with British Youth Opera.
In 2025, JJ made their professional theatrical debut in The Mikado at Tabard Theatre, then spent the summer singing in the Chorus of the National Gilbert & Sullivan Opera Company. JJ will be featured in an upcoming concert titled "Sopranos, Mezzos & Altos" by SmithWright Productions.
Zac Rosen
Performer of 'Crawl'
Zak studied acting at Yale and worked for several years as a professional stage actor, mostly doing Shakespeare, in the US before recently moving to London, where he performs in stage, film, TV, and commercial work. Credits include Ed Balls in Lord Clegg Awakes (The Courtyard Theatre) and Romeo in Romeo and Juliet (Chesapeake Shakespeare Company).
THE DIRECTORS
Angela Law
Director of 'The Gate of the Night-Mare'
Angela is a writer of plays and prose, an actor in the upcoming short film ‘The Other 99%’, and is one-half of Prize Pig Productions.
Cece Walker
Director of 'Purgatory'
Cece (she/they) is a British-Australian director drawn to character-led stories, especially those with queer and feminist themes. They love work that’s a bit weird, a bit wonderful, and enjoy giving classic texts a fresh twist. Having recently finished training in Theatre Directing at Mountview, Cece’s now keen to get stuck into new writing.
Cherry Walker
Director of 'She Uses They/Them Pronouns'
Cherry is a queer writer, director and casting director from Kent. Their work blurs the lines of tongue-in-cheek and resolute, tackling politics, identity and personal beliefs with a specialisation in misrepresentation in media. Cherry isn’t one to shy away from the gravity of reality, as crushing as it may be.
Haonan Wang
Director of 'Haunted Property''
Haonan Wang is a first-generation immigrant theatre maker, director, and facilitator based in the UK and China, graduated from LAMDA’s Directing program. His directing work explores contemporary social issues and centers marginalized voices. Key directing credits include City Being Erased (Theatre503), A Journey to the West (The Playground Theatre), and EURYDICE (Amphitheatre Theatre, Athens).
As a facilitator, Haonan develops applied theatre projects for diverse communities, focusing on inclusion and accessibility. He is the founder of Light Gathering Accessible Theatre Audio Book Project (Shanghai) and has created works including the Educational Theatre Love is... (with Taiwan veterans, New Taipei), Lethe (Based on Memoir of Chernobyl, Shanghai) and workshops around China and the UK.
Through diverse artistic approaches, Haonan combines directing and applied theatre practice to create performances that challenge audiences to think critically about politics, society, and identity, fostering dialogue, empathy, and inclusion across communities.
Jessica McKenna
Director of 'Crawl'
Jessica is a director from London. Their work spans professional and participatory contexts, and responds to urgent social realities. They are interested in theatre's political potential, and aims to educate and galvanise audiences through nuanced storytelling that platforms underrepresented voices. Jessica works regularly with theatres such as the Arcola and the Almeida, and recently assisted on Lovestuck at Stratford East.
Miona Drcelic
Director of 'Eyelash'
Miona is a queer and multilingual performer and all around theatre maker who’s previously been a part of TWIMC as writer and actor.
After spending her summer performing at the Camden Fringe she is keen to return to directing and bring ‘Eyelash‘ by Artemis Adamantopoulou to life.
Her previous directing work has been featured at Voila Miniatura Festival and the Etcetera Theatre besides which she also directs and facilitates projects for youth drama groups.
Miona’s creative ventures revolve around themes of identity and belonging and often take a feminist and class-critical stance which she is excited to explore through the genre of horror.
BEHIND THE SCENES PEOPLE:
Producers:
Grainne Robson
Drima Chakraborty
Drima Chakraborty
Co-producer of this edition of TWIMC, ‘To Whom It May Concern: Haunted’
Drima is a poet, performance artist and founder of Rough Drafts Poetry. On all levels, including physical, they are a cat
Tech
Oli Fuller (they/he) is an Award Winning Queer Theatre Maker. Their credits include 12 (New Wimbledon Theatre Studio, 2025), Séayoncé's Perky Nativititties (The Yard Theatre, 2024), All The Fraudulent Horse Girls (National Theatre, Seven Dials Playhouse, Pleasance Ace Dome, 2024, The Glory, 2022-2023), F-ckboy (Old Red Lion Theatre, Riverside Studios, Paradise in Augustines - The Snug, 2024), Rain Weaver (Cockpit Theatre, 2024), Hasting Trans Pride (Observer Building, 2024), eNBy City - A Night for Queer Joy (Theatre Deli, 2022-2023), and Remote (The Southwark Playhouse, 2022). Oli is delighted to be returning to To Whom It May Concern!
Special thanks to The Glitch Theatre and to everyone who has bought tickets to previous To Whom It May Concerns!
This is our last TWIMC of 2025, keep an eye out for us in the new year!