'To Whom It May Concern' is an emerging writers night produced and directed by Salt Circle Productions. The one-hour show consists of monologues around different themes. Tonight’s theme is 'Birthday' (because although it's not TWIMC's Birthday it IS the 10th edition of TWIMC). The show will be performed by brilliant London based actors and aftder the show we'll eat cake and be merry.
This is an evening of letters that were never sent. A night of connection, revolution and power as we hear the voices of 'us', the general public that is often overlooked.
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Writers/ Performers:
Liam Scanlon
Rebekah Parsons
Maddie Elle Dunn
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Writers:
Megan Earl
Freddie Haberfellner
Mary Condon O'Connor
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Performers:
Annabel Harb
Tatenda Nyamande
Lisa Peters
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Music by ratz
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Directed by:
Christina Raisea Murphy, Tsipora St. Clair Knights, Isobel Jacob, Charlotte Cattrall, Emma Bailey, Ava Benkova
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Read about our previous 'TWIMC' here
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Meet us after the show in the bar and meet up with fellow creatives.
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TO WHOM IT MAY CONCERN
28th May, 8:30pm at The Glitch Theatre
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CAST AND CREW
Maddie Elle Dunn
Writer and performer of 'The Party Princess Diaries'
Maddie is a multidisciplinary creative based in London. After studying Literature and Spanish at UCL she attended RCSSD for a Masters in Acting. Maddie has performed across stage and screen and also has a passion for dance and choreography. It has been more recently that she has delved into performing her own writing, first a duologue at the Lion & Unicorn and then a monologue at the CLF Arts Lounge. Her current monologue ‘The Party Princess Diaries’ is a dark comedy exploring themes of disillusionment, adulthood and identity.
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THE WRITERS/ PERFORMERS
Liam Scanlon
Writer and performer of 'Jacob's Fourth'
Liam is a thirty-two-year-old gay Canadian writer and actor. His writing work has appeared in editions of Oyster River Pages, Carnations, Violets & Lavender (Delos publishing) and Seedlings magazine, his queer romance play, Safehouse, sold out in its initial October and November 2023 five night London run. A Londoner for seven years, he’s also the current recipient of the HW Fischer scholarship for Curtis Brown Creative’s Writing Your Novel course as well as one of the Royal Court Theatre’s Writer’s Card Lottery winners.
Rebekah Parsons
Writer and performer of 'Birthdays Stained by Love'
Rebekah Parsons a theatre maker originally from Sydney, who moved to London in March of 2025. This is her London debut! She is passionate about creating political work that highlights the contemporary queer experience, and ensuring that her work is accessible both in the rehearsal room and in the performance space. She founded her production company, In Situ - which produced the Sydney debut of Us/Them by Carly Wijs in 2024 - on the belief that art, by nature, has a true, quantifiable impact on the way people view and interact with the world. She want to provoke change, instigate conversations and challenge presupposed beliefs, creating seismic shifts in peoples every day lives. As an actor, her credits include Hairworm by Emma Wright (2019), Haunted , with Spark Youth Theatre (2019), ‘A Campfire story’ by Joel Burrows (2022), ‘The Other End of the Afternoon’ by Bokkie Robertson at the New Theatre (2022), Us/Them (2024). She has trained at RADA
Mary Condon O'Connor
Writer of ‘Saturn Return'
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Mary is an Irish neurodiverse writer, performer, and facilitator based in London with a BA in Theatre and Music International from University College Cork and an MA in Applied Theatre from the Royal Central School of Speech and Drama. She specialises in creating inclusive, magic-infused theatre that builds community and empowers individuals to realise their artistic potential.
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Mary’s writing has been performed at venues including Pitlochry Festival Theatre, Cork Fringe, National Youth Theatre, and Ukraine-based ProEnglish Theatre. Her performance credits include Camden Fringe, Clonmel Junction Festival, Southbank Centre, and Brighton’s FemFest. Additionally, she has facilitated workshops across London and Ireland with organisations such as DreamArts, Half Moon Theatre, Little Angel Theatre, and Youth Theatre Ireland. Her debut play, Swan in the Walls will be in The Hope Theatre, Islington from the 16th-18th of June.
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Mary’s work focuses on having a yap, a laugh and creating joy for all.
THE WRITERS
Megan Earl
Writer of ‘Brad from Accounting'
Megan is a writer and theatre-maker based in East London. Her debut show, The Moral Women, which she wrote and directed, is set against the backdrop of a regime determined to roll back women’s reproductive rights, in the tense hours leading up to a raid on a clinic. It premiered at the Wandsworth Arts Fringe Festival in 2023 and later ran at the Hen & Chickens Theatre in 2024, selling out both venues and receiving two four-star reviews.
Most recently, Megan has directed scratch night performances with Pushback Theatre and Salt Circle Productions. She’s thrilled to be part of another scratch night and to see how her latest piece, Brad from Accounting, takes shape.
Freddie Haberfellner
Writer of 'F*ckboy' (An Extract)
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Freddie (he/ him) was born and raised in Austria but moved to London at 18 to pursue his dream of not living in queerphobic hell anymore. He has a BA (Hons) in Creative Writing & Drama, and an MA in Musical Theatre. Graduating into the Covid-hellscape, he decided to focus on writing; telling the stories he was craving to see. This was the start of his debut play F*ckboy which has been performed at The Old Red Lion, Omnibus, Riverside Studios and the Edinburgh Fringe 2024 where it won multiple awards. Freddie has also worked internationally as a lead singer for TUI and toured the UK with Onatti productions. He features in upcoming short film IVY BRIDGE FC and regularly performs for people in care homes. Freddie’s work aims to celebrate and explore the intersections of neurodiversity and queerness, and examine masculinity from a trans viewpoint.
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Along with those performing their own written pieces, we welcome the following performers:
Tatenda Nyamonde
Performer of 'Saturn Return'
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Tatenda (she/her) is a multidisciplinary creative based in south London and she’s interestingly always found here way dotting in and out of acting! Her main practises currently being developed on a freelance basis are video editing, videography and photography. When a project comes along that she finds enticing and can hop onto in some way, shape, form, Tatenda’s always ready to hop in and help bring it to life!
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Annabel Harb
Performer of 'Brad from Accounting'
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Annabel (she/her) is a French-Lebanese actor based in London who is a recent BA graduate from Mountview. She was also a member of the Paper Notes Improv Troupe who specialise in long-form improv with performances in 2023 and 2024. Annabel has also had the privilege of performing in TWIMC 7 and is happy to be returning for the 10th edition!! Credits while training include: Rosaline, Blue Stockings & Boy.
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Lisa Peters
Performer of 'F*ckboy' (An Extract)
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Lisa (they/she/he) is a performer and writer hailing from the land of cheese and windmills, the Netherlands. After moving to London in 2019 to pursue a Musical Theatre MA, they performed in HAIR: A Rock Musical as well as a couple of solo cabarets.
After a few years of acting-hiatus, Lisa has slowly but surely returned to the stage with the help of Queer Theatre and TWIMC, connecting to their queer identity and being supported to write and perform again.
For this performance, they're channelling their inner F*ckboy - "u up?" texts not included.
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THE DIRECTORS
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Christina Raisea Murphy
Director of 'Jacob's Fourth'
Christina Raisea Murphy is a writer, director and actor from the Republic of Ireland. They have recently begun their journey as playwright with this year’s Broken Silence Theatre’s Playwright Hive. Based in London, they have directed work for theatre and film, including the award winning short film Departure Point, made with the support of the BFI Network. This is their second time directing at Salt Circle Productions’ To Whom It May Concern. As a non-binary and queer artist, Christina is particularly passionate about telling stories about LGBTQ+ experiences.
Charlotte Cattrall
Director of 'The Party Princess Diaries'
Charlotte Cattrall is a Director, Actor and Educator based in London originally from Liverpool. She is interested in creating and developing new work that explores issues of social justice with a particular focus on the female perspective and underrepresented voices. Recent directing credits include THE BEARCAT (RCSSD & The Cockpit, London 2025) WOEBEGONE (Theatre503, London 2024) and NEVERNATAL (Theatre503, Edinburgh Fringe Festival & Hen & Chickens, London 2023) which had sold out runs and 4 and 5 star reviews. Charlotte has directed over 30 performances with young actors and is the founder and director of Performworks Productions. She has trained in Acting at RADA and LIPA and is a graduate of Royal Holloway University of London and University College London. She is now pursuing her MA in Actor Training & Coaching. You can find more information about Charlotte at www.charlottecattrall.com.
Emma Bailey
Director of 'Brad from Accounting'
Emma Bailey is a queer and disabled, performer and creative. They work with the messy, political, and intimate. They have worked with many companies, most notably Punchdrunk and Theatre RE. They have recently graduated from Rose Bruford College, where they have been studying European Theatre Arts, following the performance of their dissertation show entitled Pity Party, where they explored intimacy, Kintsugi and the unreliable narrator. They have also just started their contract performing as Terri Dactyl (T-Rex) in Monopoly Lifesized.
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Ava Benkova
Director of 'Saturn Return'
Ava is a Slovakian actor and director who has recently graduated from the Liverpool Institute for Performing Arts. She directs for TheArchive and is also interested in stage combat.
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Tsipora St. Clair Knights
Director of 'Birthdays Stained by Love'
Tsipora is a multidisciplinary artist from South East London whose creative practice is rooted in exploring the complexities of identity & lived experiences through movement, photography, film & spoken word poetry. Alongside this, she uses her art as a tool of activism to create meaningful change, through the lens of addressing a lack of diverse representation, accessibility & elitism within the arts and is a Board Member for multiple arts organisations. Over the last few years she has worked as a Theatre Producer, and has transferred these skills into co-producing community events, with a focus on celebrating culture and encouraging collective healing. With this in mind, as a recently certified Breathwork & Meditation Teacher, she is currently exploring ways to combine both her creative & wellbeing practices.
With a year full of creative firsts, including choreographing as part of NEXT at Siobhan Davies Dance Studios & her first exhibition with The Photography Foundation, she is very much looking forward to making her debut as a director!
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Isobel Jacob
Director of 'F*ckboy' (An Extract)
Isobel is a director, facilitator and educator from Trowbridge in the South West of England, currently based between London and the South West. Her work ranges from working with professionals to collaborating with many community centres, schools and youth theatres (including Tramshed, Trowbridge Town Hall, Primary Shakespeare Company) making bold, ambitious theatre with young people and communities. She loves working on projects which investigate powerful, often uncomfortable, themes, with a focus on representation and platform voices that don’t always get heard, working with companies. She gets excited about working on plays which interrogate form, integrating movement with language and text, and the blending of genres. She is currently working on Crusher by Lauren Stones for Camden Fringe 2025 and Welcome to Gaza for Totnes Fringe and Edinburgh Fringe 2025. She is a member of No Tits Theatre.
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MUSIC BY:
ratz
Musical Act
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Hozier, Amy Winehouse, and the faun from Pan’s Labyrinth had a baby, gave it an acoustic guitar and vocal cords, and thus was born ratz. Creating everything out of their flat in Peckham, it’s all a bit rough around the edges, just in the same way a mossy stump is on a rainy day. Their latest release, Alstroemeria, is available for streaming wherever you usually stream your favourite bits.
BEHIND THE SCENES PEOPLE:
Producers:
Grainne Robson
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Tech
​Ro West (they/he) is a proud working class, disabled and queer sound technician turned stage manager turned all round technical busy body. With qualifications in technical sound and stage management as well as far too many questions for technical theatre teams, they are always eager to put their knowledge to practice.
Recent credits include: Technical Assistant Stage Manager - Sleeping Beauty (Main Stage, Catford Broadway), Stage Manager on Book - Lesbian Pirates! (The Studio - The Other Palace) Deputy Stage Manager - Unbound (The Patrick Space, Birmingham Hippodrome), Technical Operator - Belting My Tits Off (The Large, Southwark Playhouse Borough), Lighting Designer - Fuckboy (Riverside Studios and Edinburgh Fringe), Sound No. 2 Dep - The Comeuppance (The Almeida), Assistant Stage Manager - Wedding Band (Main Space, The Lyric Hammersmith)
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Special thanks to The Glitch Theatre and to everyone who has bought tickets to previous To Whom It May Concerns!